by Bradley Spinelli
Akashic Books 2017
267 pages Noir
In order to truly appreciate The Painted Gun by
Bradley Spinelli, you need to be aware of the definition of "noir" fiction.
An article in Huffington
Post suggests that the protagonist in a noir novel is a loser, "as
the life that awaits them is certain to be so ugly, so lost and lonely, that
they'd be better off just curling up and getting it over with." Another
definition of noir fiction says that it is closely related to the
"hardboiled" genre except that the protagonist is not a detective,
but might be a suspect or a perpetrator. Often the protagonist is
self-destructive. One of the other characteristics of the genre is the dark
humor that permeates its novels. Spinelli scores on almost every aspect of the
noir checklist, and I really enjoyed checking items off the list.
David "Itchy" Crane is an information consultant
in 1990s San Francisco. What that means is that he is not really a private
detective but someone who helps clients find necessary information. (Remember
that this is before you can find every bit of information you need on the Internet.) He is
hired by an acquaintance to find a lost young woman named Ashley and is paid
handsomely to search for her. What Crane immediately finds out is that she is a
painter who only paints one subject—David "Itchy" Crane. Yet Crane
has never met her and is freaked out by the intimacy of the paintings. Of
course, like most protagonists in noir and hard-boiled fiction, he becomes
obsessed with finding her. Along the way to finding her, people end up dead,
the CIA is somehow involved, and his journey takes him to Guatemala where he finally is able to resolve the drama.
One
reviewer suggests that it would have been easy for Spinelli to slip into cliché
as the plot unfolds, but that doesn't happen. Crane, himself, acknowledges that
he might be slipping into cliché, but surprisingly he has enough self-awareness
to know where he is headed and he embraces it. Here's a favorite line--when
Crane finds out that Ashley is painting portraits of him. "The word
portraits ran down the back of my neck like stray hairs in a shirt collar after
a haircut."
One of the best aspects of The Painted Gun is its
sense of place. The seedier sides of San Francisco are brought to life with all
the expected characters, including some of the informants that Crane had used
when he was a newspaper reporter. In the last chapters, Crane goes to Guatemala
to finish his mission, and Guatemala comes vividly to life. This part of the
novel is a bit of an anachronism. We get a history lesson into Guatemalan
politics and bananas as well as a geography lesson. Frankly, I found this to be
the most interesting part of the novel, although some reviewers thought the
novel faltered a bit there.
Publishers
Weekly calls The Painted Gun a "tricky and delightfully surprising
crime novel." They also suggest that Spinelli is a "talent to
watch." The book can be read in one or two sittings and is a wonderful
diversion. I received it from the publisher, and it came out this week. It was
a lot of fun.
Bradley Spinelli website.
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