Sunday, April 30, 2017
by Randy Wayne White
G.P. Putnam's Sons 2017
329 pages Mystery
Well, I dropped into Doc Ford's life during his 24th adventure in Southwest Florida, Mangrove Lightning. I wouldn't suggest that you do that. Doc Ford, apparently, is a marine biologist and part-time spy and government mercenary. His home base is on Sanibel Island, but we meet him rescuing a member of the British Royal family who is in some trouble in the Bahamas. What that has to do with the main mystery is anybody's call, but it may have been unfinished business from some previous iteration. That's what happens when you meet a protagonist in his 24th mystery.
However, Doc Ford's presence is apparently not essential to the plot of Mangrove Lightning, because he only drops in now and again. What White wants to relate in this book is a well-researched 1925 mystery that took place in the area north of the Everglades around Marco Island, Florida. In those days, Chinese labor was smuggled via the islands, and there was a lot of bootlegging going on. Apparently, the one of the main characters in Mangrove Lightning, Tootsie Barlow, a fishing boat captain is still haunted by the events of those early days, and his family's involvement in the damage that was done during those years. He believes that his young relatives are suffering from a family curse. The other protagonist, Tomlinson, tries to help Tootsie, but he is not a detective. (Apparently Tomlinson has a long history with Doc Ford.) Tomlinson is a practicing Buddhist and a bit of a pothead. However, he knows the history of the area, and when Tootsie's grandniece Gracie disappears, Tomlinson rises to the occasion and helps create the connection between the past and the present misfortune.
There's a lot going on, and it took me quite a while to figure it all out. If I had read other books in the series, I would have had an easier time putting it all together—particularly Doc Ford's spy business. I particularly liked the historical influences in Southwest Florida, and I spent quite a bit of time looking up the history of bootlegging in Florida, smuggled Chinese slaves, crocodiles and mangroves. Once I got acclimated to the characters and the setting, it was an intriguing read. The bad guys are really bad—vicious, violent killers, and once the action got rolling, I couldn't put the book down.
Sanibel Island is one of my favorite places on earth, but a couple of years ago, I spent a few days on Pine Island, which apparently is where Doc Ford lives—the same as Randy White. These are wonderful places with an incredible history. I could believe almost anything happening there. Randy White's love for the region—its past and its future—is of huge importance to him. Weaving the history of the region into his mysteries is one way of showing his love. This is a website that shows the area on Pine Island where White writes his books. He also owns a restaurant on Sanabel called Doc Ford's, of course.
Randy Wayne White's main website.
Sunday, March 26, 2017
by Amor Towles
Random House 2016
489 pages Literary
House arrest. We often read those words in newspaper articles about political leaders being placed under house arrest pending a trial—for instance Aung San Suu Kyi in Burma—but we seldom understand what house arrest must be like for the person under arrest. It was with this premise that Amor Towles conceived of his brilliant novel. A Gentleman in Moscow.
Count Alexander Ilyich Rostov, an aristocrat, was placed under house arrest in 1922, ostensibly because he wrote a poem critical of the revolution, but more likely he was placed under arrest because he remained an aristocrat in a time of revolution. When asked in his trial about his occupation, he replies, "It is not the business of gentlemen to have occupations." With that unsatisfying response (unsatisfying to the court, apparently, but immensely satisfying to the reader), Rostov is placed under house arrest for having "succumbed irrevocably to the corruptions of his class." With the greatest of ironies, however, he is confined to the grand Moscow hotel where he has lived for the last several years, the Metropol, which by the way, is a real Moscow hotel. In his early 30s at the time of his incarceration, he remains in place in the hotel for more than 30 years. If he leaves the hotel, he will be shot on sight.
Thus begins a most incredible novel with the slimmest of premises: an aristocrat stuck in a hotel (albeit a grand hotel) for 30 years. One of my book club friends called it "the most charming book she had ever read." And I have to agree with her. Rostov is the most masterful of gentlemen, convinced that “by the smallest of one’s actions one can restore some sense of order to the world.” There are conflicts; there are constraints; there is love; there are children; there is despair. But through it all, Rostov remains himself—a perfect gentleman.
Until the end. The last chapters are so ingenious and breathtaking that I closed the book and sat stupefied and wordless. There are no words to describe the ending because I had become so entrenched within the walls of the hotel that I could not imagine the potential of an ending.
The Metropol Hotel, itself, is one of the major characters of the book. And it is a marvelous character—from the kitchen to the grand dining room to the suites that became a little seedy during the Stalinist years to the tiny little rooms where Rostov sleeps. There even is a little girl being raised in the hotel—modeled after Eloise at the Plaza, the author says. The Metropol is a glorious setting full of colorful characters, wonderful food, and plenty to drink. This hotel character, indeed, is the most incredible in the entire cast of characters because it never gets boring and it seems much more spacious than it actually is.
The reviewer in the Washington Post describes the Count as a Slavic Alexander McCall Smith, and if I take a good look at the picture of the author, Amor Towles, I can see a resemblance between the author and my vision of the Count. Before Towles retired to write A Gentleman in Moscow and his previous novel, Rules of Civility, he traveled a great deal for business. Every time he would return to certain hotels, he would see some of the same people, and he began to imagine what life would be like if a person was confined to a luxury hotel.
I do have to mention that our book club had a wonderful time discussing A Gentleman in Moscow, made all the more delightful by the addition of a vodka toast, rye bread, and beet salad. One of the things we laughed about was the amount of alcohol that is consumed in the novel, but we also spent a great deal of time discussing the obscurity, but also the profound meaning, of the ending—made all the more obscure and profound with the addition of the vodka.
The review in The Washington Post.
An interview with Amor Towles about A Gentleman in Moscow.
Friday, March 10, 2017
by Bradley Spinelli
Akashic Books 2017
267 pages Noir
In order to truly appreciate The Painted Gun by Bradley Spinelli, you need to be aware of the definition of "noir" fiction. An article in Huffington Post suggests that the protagonist in a noir novel is a loser, "as the life that awaits them is certain to be so ugly, so lost and lonely, that they'd be better off just curling up and getting it over with." Another definition of noir fiction says that it is closely related to the "hardboiled" genre except that the protagonist is not a detective, but might be a suspect or a perpetrator. Often the protagonist is self-destructive. One of the other characteristics of the genre is the dark humor that permeates its novels. Spinelli scores on almost every aspect of the noir checklist, and I really enjoyed checking items off the list.
David "Itchy" Crane is an information consultant in 1990s San Francisco. What that means is that he is not really a private detective but someone who helps clients find necessary information. (Remember that this is before you can find every bit of information you need on the Internet.) He is hired by an acquaintance to find a lost young woman named Ashley and is paid handsomely to search for her. What Crane immediately finds out is that she is a painter who only paints one subject—David "Itchy" Crane. Yet Crane has never met her and is freaked out by the intimacy of the paintings. Of course, like most protagonists in noir and hard-boiled fiction, he becomes obsessed with finding her. Along the way to finding her, people end up dead, the CIA is somehow involved, and his journey takes him to Guatemala where he finally is able to resolve the drama.
One reviewer suggests that it would have been easy for Spinelli to slip into cliché as the plot unfolds, but that doesn't happen. Crane, himself, acknowledges that he might be slipping into cliché, but surprisingly he has enough self-awareness to know where he is headed and he embraces it. Here's a favorite line--when Crane finds out that Ashley is painting portraits of him. "The word portraits ran down the back of my neck like stray hairs in a shirt collar after a haircut."
One of the best aspects of The Painted Gun is its sense of place. The seedier sides of San Francisco are brought to life with all the expected characters, including some of the informants that Crane had used when he was a newspaper reporter. In the last chapters, Crane goes to Guatemala to finish his mission, and Guatemala comes vividly to life. This part of the novel is a bit of an anachronism. We get a history lesson into Guatemalan politics and bananas as well as a geography lesson. Frankly, I found this to be the most interesting part of the novel, although some reviewers thought the novel faltered a bit there.
Publishers Weekly calls The Painted Gun a "tricky and delightfully surprising crime novel." They also suggest that Spinelli is a "talent to watch." The book can be read in one or two sittings and is a wonderful diversion. I received it from the publisher, and it came out this week. It was a lot of fun.
Bradley Spinelli website.
Friday, March 3, 2017
Trinity University Press 2017
335 pages Nonfiction
I brought Tides with me to read on our vacation in Orange Beach, Alabama. I didn’t get a chance to read it until near the end; after we had pondered the tides for several days. I wish I had read it earlier. While Jonathan White is a writer, he is also a sailor and conservationist, so the scientific narrative about tides is punctuated with stories, illustrations, and pictures. This is not a textbook; Tides is narrative nonfiction, as mesmerizing as the tides it explains.
There are 370,000 miles of coastline around the world and the tides are never the same from place to place—or even in the same place. White says that on the Atlantic Ocean, the tides seem to be governed by the moon, but on the Pacific Ocean, they are governed by the sun. The rhythm of the tide seems to have more to do with planetary motion, which is not simple or regular. “It’s full of eccentricities.” In his journeys of discovery, White found that even the most experienced oceanographers and scientists can be perplexed by the tides. One scientist told him, “I don’t have ‘aha’ moments in this field, only ‘oh god’ moments when I find something that makes no sense.”
The book is filled with these amazing moments—stories, facts, fiction, and myth related to White as well as his own stories and experiences. I found it all fascinating. So, as I sit pondering the Gulf of Mexica for one more day, I know that there are many more mysteries of the sea to be explored. Now, if the dolphins would just return for a farewell visit before we leave tomorrow morning!
Jonathan White’s website. There is a wonderful trailer for the book on the website.
Sunday, February 26, 2017
by Ottessa Moshfegh
Penguin Press 2017
304 pages Short Stories
In her book of short stories, Homesick for Another World, Ottessa Moshfegh has created characters that you might not want to know, but who fascinate you none the less. From the first story to the last, these are people at the fringes of society and at the fringes of their mental health.
The first story is about an alcoholic, divorced math teacher, who hates her job, hates her life, and hates her students. She keeps trying to put herself back together, but just can’t do it. Finally, she quits her job, but not before telling her principal that she fudged on the state exams. (I loved that—every teacher wishes to fudge on the state exams.)
The final story is about twins, a boy and a girl. They are about seven or eight, and the boy has filled his sister with the ugly thought that at some point, the earth is going to swallow her up and take her to another place. She has to kill someone in order to go to this other world, and she desperately wants to get there. How she goes about making this wish come true is devastating and a fitting conclusion to this fascinating collection.
I feel somewhat at a loss in blogging about Homesick for Another World. Each story features a character or two in a uniquely painful situation. Sometimes I felt like a voyeur. I didn’t want to know about the messiness of these lives. Sometimes, I hurt for their pain and their loss. I had never met these characters before, and therein is the allure of the book. You have not read these stories before. I could not read more than one story at a time; they were just too painful. Frankly, this is not a book for everyone. Why persist in reading it?—because these are people that you need to know; because even if they would not become your friends, these are the people you see on the subway, or the bus, or in line at the grocery store.
The New York Times reviewer says, “A good story is a high-wire act that uses angle of vision, voice and plot to produce a work that somehow, against all odds, radiates meaning at all levels — in the sentences, the structure and in the absences.” Moshfegh is a master of the absences.
Ottessa Moshfegh is a young author. She has published a novel, Eileen, which was shortlisted for the Man Booker Prize in 2016.
Monday, February 13, 2017
by Mike Papantonio
Select Books 2016
338 pages Legal Procedural
Legal procedural novels are novels about court cases. If you have read any John Grisham , you have read a legal procedural. Law and Disorder by Mike Papantonio is a novel about civil litigation. Civil proceedings are cases where one individual or group is seeking damages (money or otherwise) from another group or individual.
In Law and Disorder, there are two types of civil suits pending: damages are being sought against a pharmaceutical company and there is also an environmental lawsuit against an oil company. The protagonist is Nick "Deke" Deketomis, a very successful and prominent Florida lawyer, who takes on a drug company dispensing a birth control pill that is causing paralysis and death for the women who take it. This is personal for Deke because one of his clients dies just before the trial, which totally freaks him out. Then his own daughter becomes extremely ill as well. In the midst of all this, Deke is spending time working on a Texas environmental case. Meanwhile in his hometown, an evangelical preacher is out to get him. This subplot ends in disaster for Deke as he accidentally kills a parishioner. So, he not only is dealing with two civil cases, but he is also facing manslaughter charges.
There is a lot going on in Law and Disorder. We learn a lot about civil law; we have a cast of characters running around doing good and evil; we have an accidental death; and we have a lot of political posturing. Although Deke is an interesting protagonist, he is not a very appealing character, and we never get to know any other characters very well. The media circus around the cases is also interesting. What is most interesting are the political aspects of the author's intent. While there are many readers who might be offended by Papantonio's liberal politics, it certainly suits the mood of the country.
What is lacking is a reason to keep reading the book. The Kirkus review calls the book "bumper sticker prose." As Papantonio develops his writing career, I would hope that he could create more finely-tuned characters and a more sophisticated plot outside the courtroom.
There is an excellent review on the Above the Law legal website. That reviewer suggests that lawyers will love the book because of the strength of the litigation. All others might be put off by the lack of strong characters and just too much going on with nothing fully developed.
Papantonio is a liberal radio and talk show host on the RT America network. His show is called "America's Lawyer." The book came out about the same time as his show.