By Donatella Di Pietrantonio
Translated by Ann Goldstein
Europa Editions
2022
167 pages Literary
It has been several days of beach living since I finished
reading A Sister’s Story, but the emotional impact lingers. The
narration is told in the first person by one sister ostensibly about the other
sister, written years after the events being described. It is the story of
memory but primarily the story of pain and sorrow with very little redemptive
joy.
Here is the synopsis: "It’s the darkest time of night. Adriana, a baby in her arms, hammers on her sister's door. Who is she running from? What uncomfortable truth is she carrying with her? Like a whirlwind, Adriana upends her sister’s life bringing chaos and cataclysmic revelations.
Years later, the narrator gets an unexpected, urgent summons back to Pescara, her hometown. She embarks on a long journey through the night, and through the folds and twists of her memory, from her and her sister’s youth, their loves and losses, secrets and regrets. Back in Borgo Sud, the town’s fishermen’s quarter, in that impenetrable yet welcoming microcosm, she will discover what really happened, and attempt to make peace with the past.Donatella Di Pietrantonio, expert chronicler of the bonds between mothers and daughters, revisits the places and characters of A Girl Returned with a moving novel focused on the ambivalent, ambiguous, wavering but steadfast relationship between sisters."
A quote early in the novel explains the sibling
relationship: “ As children we were
inseparable, then we had learned to lose each other. She could leave me without
news of herself for months, but it had never been this long. She seemed to obey
a nomadic instinct; when a place no longer suited her, she abandoned it. Every
so often our mother said to her: ‘you’re a Gypsy.’ Later I was, too, in another
way.” With few characters and minimal plot, the relationship is explained and
exploited.
The novel was
translated from the Italian by Ann Goldstein, the translator of My Brilliant Friend and the other books in the series by
Elena Ferrante. Although the style of writing is quite different, the themes
bear some similarity. One reviewer said, “A Sister’s Story carries the same message
of the greatest Italian literature of the 20th century. . .a message
at once tragic and hopeful—that while suffering may be an inevitable part of
life, we can choose not to let it define us.”
One of DiPietrantonio’s unique gifts is the ability to sum up a situation with eloquent, meaningful narration. For example, at the mother’s funeral, the narrator muses: “We looked at each other; not even the bass drum of the band had ever produced the din that our mother drew down from the sky at her funeral.” I instantly understood the emotion.
Fortunately the novel
is short. I would have been hard pressed to deal with all the negative
situations and pressured emotions if it had been longer. I do believe that A
Sister’s Story helps describe complex family relationships. Be prepared
to be moved.
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