Celadon Books 2022
448 pages Literary
What a fascinating book! I read The Plot
about a year ago and watched the HBO series The Undoing, which is
based on Korelitz’s novel, You Should Have Known. This is an author with
great skill and talent. Among her many gifts is character development, which is
on full display in her newest novel, The Latecomer.
I really like the summary provided
in the Kirkus
review, which begins “A fatal car crash sets the stage for a fraught marriage
and family life.” In its essence, The Latecomer is the story of
the relationship between triplets, who began their life as IVF embryos. It
follows their lives as well as the lives of their mother Johanna and their
father, Sal Oppenheimer, until the triplets are young adults. The third section
of the book tells the story of their sister, Phoebe (the fourth IVF embryo) and
how the conflict between the triplets becomes resolved. It’s a complicated
story, and Harrison, Lewyn, and Sally play huge roles, both with each other and
through the eyes of their much younger sister, Phoebe.
There is a lot of family drama, but
there is also some illuminating knowledge. For instance I knew nothing about Outsider
Art, of which Salo Oppenheimer became an expert collector. Outsider Art is art
made by self-taught or naïve artists who had little or no connections with the
conventional art world. The work of several outsider artists are mentioned as
being part of Salo’s collection. I had to look it all up. Fascinating
information.
The triplets are completely alienated from each other. It isn’t until Phoebe enters their lives when they are young adults that they begin to try to understand and relate to each other. I felt that Korelitz did an outstanding job of creating these characters and the dilemmas of their birth and upbringing. She described so well why they had so little relationship with each other, and why their family was so disheveled. However, she also tied it all together well, without any “goodie two-shoes” ending. As the Kirkus reviewer says, “The resolution, complete with a wedding, persuasively and touchingly affirms that even the most damaged people can grow and change.”
I thought the portrayal of each of
the Oppenheimer triplets and the chapters dedicated to each of them was spot on
and enlightening. The New
York Times reviewer speaks of the old-fashioned plot points such as a
tragic accident and an extramarital affair, but also contemporary like the test-tube
creation of the triplets, and the birth of their frozen-embryo sister. The
reviewer says, that “it’s testament to Korelitz’s achievement that her novel
leaves us wanting more…The Latecomer is consistently surprising…It
is a Gilded Age novel for the 21st century.”
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