By Jill McCorkle
Algonquin 2020
320 pages Literary
Hieroglyphics are ancient Egyptian writings composed of
pictures. One reads through the pictures to try to understand the message. The
hieroglyphics in the book by the same name by Jill McCorkle are the attempts to
piece together the message of the lives of four people, Lil and Frank, an elderly couple, Shelly, a single
mother working as a court stenographer, and her young son Harvey, who is sure
there is a ghost in their house.
Each chapter continues the story of one of the characters, each
of whom have suffered from great loss in their lives. Each is in a constant
struggle to create a life for himself/herself despite that loss. Lil and Frank have moved from Boston to the North
Carolina community where their daughter lives, and where Frank grew up. Lil is
trying to put together a journal for her children as a way of explaining how
her life happened, how she and Frank forged a life together, and how she wants
to find peace before she dies. Frank, on the other hand, becomes obsessed with
the house where he grew up and the root cellar where he stored his treasures.
Shelly and Harvey now live in that house; Shelly refuses to let Frank come into
the house, and Harvey worries that Frank may be one of the ghosts that has been
haunting him.
The review in the New York
Journal of Books has an stunning conclusion to its analysis of the book: “McCorkle is an insightful, skillful writer and these
characters have led complex lives. She takes her time and lets them unpack
their baggage slowly, a piece at a time. So when McCorkle suddenly speeds to
and through the finish, with Jason—our least known character—making and
revealing a major discovery, along with Lil’s revelations and what some may
consider the quick end of the novel, is McCorkle suggesting that this is what
happens with our lives? We think we’ll have time to make decisions, to work something
out, but then, surprise! it’s over and we’re gone. We can go back and reread
McCorkle’s ending, of course. No such privilege with our own.”
I am shocked that I had such a
difficult time getting through Hieroglyphics. I identified
completely with Lil and Frank, in part because of their age, and also because
of the grief they carried. The concluding thought tore me through to the quick.
“We think we’ll have time to make decisions, to work something out, but then,
surprise! It’s over and we’re gone.” I think that I identified too closely with
the theme. I found myself underlining passage after passage—brilliantly conceived
and written by McCorkle. Her insights into the aging couple, the secretive and
flawed Shelly, and scared little Harvey enmesh the reader completely into the
lives of these characters. Here are a couple of passages that I found
particularly moving.
“And now Frank does see. He
understands how memories of what was good can be so painful you might choose
not to look.”
Lil: “Sometimes I feel like my life
is all laid out before me; dots connecting, patterns shaped and designed, words
naming and classifying me.”
I grew nostalgic as I read Hieroglyphics. I realized that I have always been an extremely forward looking person, always trying to move ahead. Even when my husband died leaving me with 3 children, I moved us forward. I never dwelt on my grief—and perhaps unfortunately, never dwelt on my children’s grief. I said to my 40-something son yesterday that perhaps we should revisit Daddy, and share some memories of that time in our lives. The incredible thing about Hieroglyphics is that it put me in touch with my own pain and longing.
Thank you Jill McCorkle with giving a
moment with myself that caused me to reflect on my life’s path.
Hieroglyphics was released in July to a great deal of acclaim. Here is
the author’s website.
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