by Meg Waite Clayton
Harper 2015
336 pages
Historical Fiction
Books about World War II seem to be ubiquitous in 2015. My
book club read All the Light We Cannot See earlier this year, but I have pretty much resisted reading any of the
many other books until Clayton's agent sent me The Race for Paris.
Jane is a journalist for a Nashville TN newspaper. She meets
Olivia (Liv), a photographer for her husband's New York newspaper, at a hospital in France shortly after the
Normandy invasion. They have been stuck reporting from the hospital for quite
some time and have been denied access to the forward movement of the troops
because of military regulations and gender barriers. When they meet up with
Fletcher, a British photojournalist, they take matters into their own hands,
jump into his jeep, and race the allied troops toward the liberation of Paris.
.
Worried about exposing themselves to the MPs that are
tracking them, Jane and Liv send out their articles and photographs anonymously or
under Fletcher's name as they move relentlessly forward keeping pace with the
troops. Jane muses about why they were putting themselves so prominently into harm's
way: "a chance at immortality when mortality had you by the throat." They
see it all and report on it all. Liv takes extraordinary risks to catch the
action with her camera while Jane types up her stories on a portable
typewriter. Along the way, they both fall for Fletcher, who always is seeking
to protect them—even when they don't want to be protected. The three bond in a
powerful way that sustains them and reverberates throughout the rest of their
lives.
The Race for Paris is filled with relentless action that is vividly
represented in the text. For example, Jane reports: "Liv moved into the
valley to better photograph the fleeing Germans, and because she did, Fletcher
and I did as well. We went down toward the confetti of paper and clothing and
supplies, medical paraphernalia and food packages. The twisted metal of
abandoned vehicles. Blackened trees. Well-creased letters stuck in the mud, and
frayed photographs of wives, of children, of parents and siblings, of sisters
and brothers. Sprawling tangles of hooves and necks and manes and bleeding
horseflesh, and corpses." At the same time that they are reporting on the
action, Jane poignantly reflects: "I wanted to be in a place where the sun
always shone and the world was quiet, no gunshots in the distance, no stench of
death."
American Reporters including Kirkpatrick and Miller |
Clayton says that she spent years researching the women
reporters and photographers of World War II, including Margaret Burke White, Helen Kirkpatrick,
and Lee Miller. At the heading of each chapter, there is a quote from a war
reporter or photographer, and the text is peppered with references to other
famous wartime personalities, including Ernie Pyle and Earnest Hemingway. It is
obvious that Clayton took enormous care with the historical accuracy of the
novel. For the most part, the plot moves along, with some scenes breathtakingly
compelling. I wanted the climax of the book to occur about 50 pages before if
actually happened, but as Liv becomes more and more reckless in her
photography, I knew that something tragic was about to happen—and then it did.
The Race for Paris is not a beach read. It is designed to
appeal to the World War II historical reader as well as the reader interested
in women's rights and women's history. I am none of those people, but I was
completely captivated by the story and the charm of the characters. I can only
imagine how consumed Clayton must have been as she researched and wrote this
most compelling novel. I recommend it. The Race for Paris has already appeared
on several "Best Books" lists including the BBC and Bookreporter.
Meg Waite Clayton's website.
A review in Bookreporter.
An article
from the BBC website about American women reporters during WW2.
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