by Charles Todd
Wm. Morrow 201
Inspector Ian Rutledge came up to Cambridgeshire from London
because two men had been killed by the type of rifle commonly used during the war (World War
I, that is) and the local police needed the help of Scotland Yard. Upon arrival
he found that the mystery was not a simple one. First, the returning soldiers
were supposed to have turned in all the army rifles. Who still had a rifle?
What was the relationship between the men who had been killed? How do you
travel around in the intense fog?
Rutledge spends his days interrogating people in four towns
that make up the area of England called the Fens, a lowland area north of
Cambridge. It is an area prone to fog and on the night Rutledge arrives, he
becomes completely lost and nearly runs into one of the old windmills that dot
the area.
Ploddingly, he pieces together the case, and it is very complicated.
The communities are small; people are tight lipped, and the war is too soon
over--emotions are raw. He feels like he is hunting shadows.
Rutledge can't shake the all-consuming depression that has
followed him over these past few years following WWI. Modern science calls this
PTSD; following WWI, it was called shellshock and we know a lot more about it
than we did in 1920. He feels "disgrace and cowardice and lack of moral
fiber." This is the sixteenth
mystery starring Inspector Ian Rutledge, and apparently his PTSD has not
improved any since the initial book, A
Test of Wills. I can't vouch for this because this is the first one that I
have read. However the reviewer in the NY Journal of Books says: "One
wishes for the case that will somehow provide a breakthrough to alleviate the
suffering that hangs over these stories like a dark shroud." Rutledge's
misery slows the book down.
The bright spot of the book is the setting. I knew nothing
of the Fens until I read Hunting Shadows. The cathedral in Ely, the largest
town in the area, figures prominently in the novel and is absolutely stunning.
Rutledge muses: "Ely was, in a way, a glimpse of what churches and
Cathedrals must have looked like before the Reformation, when there were
frescoes and painted statues and ceilings. The Victorians had reveled in adding
color too, but not always successfully." After reading that, I had to
quickly look up the Ely Cathedral. Incredible.
The other fascinating aspect of this book is that the Ian
Rutledge series of mysteries are written by an American mother-son team that
call themselves Charles Todd.
The mother, Caroline, is an English history buff,
and the son, Charles, has studied the history of wars. Together, they shape the
books in the Ian Rutledge and the Bess Crawford series. My son and I are about
to collaborate on a book--nonfiction--and I am a bit anxious about how we will
do as a team. Perhaps I should contact the Todds and see how they function
together. They seem to be able to order up all the elements of the classic
mystery: hero, setting, and plot.
The New York Journal of Books review: http://www.nyjournalofbooks.com/book-review/hunting-shadows-inspector-ian-rutledge-mystery-inspector-ian-rutledge-mysteries-0
The Charles Todd website: http://charlestodd.com/author/
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