by Adeline Dieudonné
Translated by Roland Glasser
World Editions 2020
234 pages Literary
A coming-of-age story about an abusive father, an abused mother, and a
protective big sister trying to save her little brother suffering from PTSD
after a horrifying tragedy. This is the debut novel from Belgian author,
Dieudonné, translated into English after winning several awards in Europe.
The narrator is the young girl who begins the tale at about age 10 and ends
when she commits an unspeakable crime at about age 16. The two young children
see the ice cream man die in an accident, and Sam, who is about 5 at the time,
has a terrible time recovering from the trauma. He retreats to their father's
trophy room, which is filled with the spoils of all his hunting trips. It is
supposed to be off-limits for the children, and they are both a bit afraid of
the room's contents, particularly the hyena. The girl, who remains unnamed,
tries to invent a time machine ala "Back to the Future" to whisk the
two of them back to the time before the accident, so that Sam can grow up
unscarred. Her interest in time travel leads her to a major interest in
Physics, and we see the depth of her intelligence.
The narrator is able to describe her life in great and beautiful detail.
For example, this is her description of her entry into middle school: "The
boys began to chase the girls and the girls played at being women. This whole
little world was in effervescence, completely absorbed in the great hormonal
muddle. Each person sported the proof of their admission to puberty like a
trophy." Sometimes I felt that perhaps her thoughts, her musings, and her
observations were way too mature for her purported age, but I enjoyed the brilliance
of the writing none-the-less.
This is the third or fourth book I have read recently about parents not
being responsible for their children, i.e. the abandonment in The
Dutch House and the escape in This
Tender Land. One begins to believe that all children suffer greatly in
childhood. Even my childhood favorite, The Secret Garden, is about two
children treated badly. Real Life is perhaps an extreme example
of childhood mistreatment, so that readers who are sensitive to childhood trauma
may find this a hard read.
The Kirkus
review closes with this analysis: "Dieudonné's startling debut tackles
dark themes with grace, wit, and sincerity." The reviewer calls it “furiously tender.” It
will be interesting to see how the author’s career develops. I hope she will be
able to move beyond childhood trauma as a theme.
No comments:
Post a Comment