By Vanessa Diffenbaugh
Ballentine Books
2012
322 pages Literary
Book club is Thursday night, and I am fascinated about the
potential discussion we will have about The Language of Flowers.
The premise is that each variety of flower, wild and
cultivated, has an emotion attached to it. In Victorian times, one gave flowers
that were connected with the emotion he or she wanted to convey. So, for
example, in the language of flowers, my
favorite Gerber daisies convey cheerfulness. Giving Gerber daisies might be a
good idea to bring to a hospital patient. The novel is followed by a glossary
of flowers and their Victorian meanings.
Victoria, the protagonist of The Language of Flowers
is a child who has been tossed about by the foster care system; she is so
damaged that she fits nowhere. Her case worker says that she is “detached,
quick tempered, tight-lipped, unrepentant.” At age 9 she ends up with grape
farmer, Elizabeth, who tells Victoria that this is her last stop and this is
where she will stay. Elizabeth grew up on a flower farm and she teaches
Victoria the language of flowers. Victoria realizes that she has found her
calling for life. She memorizes all the flower meanings, creating scrapbooks of
pictures of flowers with their meanings attached. But even this idyllic setting
ends up being just a way-station for Victoria, and within a year she is back in
group homes until at age 18, she ages out of the system and is on her own.
The narrative shifts back and forth from Victoria at age 9 with Elizabeth
to Victoria as an 18-year-old out on the street, stealing food and sleeping in
public parks. A wonderful florist names Renata sees Victoria’s potential and
hires her to work in her shop. Renata is a wonderful character, who seems to
see Victoria’s need for self-preservation and offers just the right amount of
nurturing and the right amount of help.
Diffenbaugh tries to tackle a lot of subjects –adoption,
foster homes, emancipation, homelessness, single motherhood, and attachment
disorder—perhaps too many subjects, because I didn’t quite know where to place
all my emotions. The least resonant part of the plot (for me) concerned the day
of the adoption hearing, when Elizabeth is going to adopt Victoria, and
suddenly Elizabeth backs out of the deal. The reasoning behind it is so
nebulous that I never did quite figure it out. At that point, Diffenbaugh lost
me as a committed reader, and I finished the book simply because my book club is
going to discuss it this week.
What I did like particularly were the flowers and the way
Victoria found purpose for her life in the flowers. As I was reading, I kept
thinking of a young woman I know who has had a similar life experience to
Victoria. She has found purpose for her life with animals, and a kind dog
kennel owner has nurtured that love of dogs by giving her a job at the kennel.
I also realized as I read The Language of Flowers
that I was feeling emotionally manipulated by a contrived plot, and a lot of loose
ends. I was let down by the ending, while at the same time I realized that the
overarching theme resonated with me. The New
York Times reviewer felt much
the same way I did, but the Washington
Post reviewer loved it. She found it “original and brilliant.” I guess
that is why there are so many genres of novels—books to appeal to everyone.
Vanessa Diffenbaugh’s website. I kept thinking her last
name was dieffenbachia—which is a common house plant. I wonder what it’s
Victorian meaning is.
