By Dick Wolf
William Morrow, 2013
387 pages Fiction
It is the days leading up to the dedication of the Ground
Zero memorial on Independence Day weekend in 2011. The Intercept begins with a skirmish with a
potential terrorist on a plane bound to New York from Stockholm, which sets the
city on edge. Six passengers on the plane are involved in the take-down of the
terrorist and quickly become the media darlings we are so prone to anoint in
the United States.
Jeremy Fisk is a terrorism investigator for a special unit
of the NYPD. He and his lover, Krina Gersten, are assigned duty—Jeremy to
follow the terrorism trail and Gersten to follow the trail of “The Six,” the
passengers, now celebrities. Fisk decides that the terrorist on the plane is
part of a larger plot and the chase is on all through the city until the final
clash at the World Trade Center site.
It must be mentioned at this point that Dick Wolf was the
creator of the TV franchise, Law and Order. In many ways, The Intercept reads
like the television show. All it is missing is the clanging at the end of the
chapters. The chapters are short, there is a lot of dialogue, and the villains
are somewhat obvious, much like the television show. Being like the Law and
Order show is a good thing. It is very fun to read a book that moves so
quickly. The reviewer on Slate.com says that it has a “satisfying arc.”
The city is the most believable aspect of The Intercept. As Fisk
chases around the city, we can visualize the journey as well as the people he
encounters. All the characters are interesting—even the very minor ones, like
the hotel security guard and a flower-shop owner watching a take-down. Fisk is
a good hero. We learn just enough about him to know that he is human, and we
are confident that he will survive through several more iterations, since this
is the first in a series of novels. It was especially fun to read about the
characters that make up “The Six.” Each is a unique creation, and each reacts
to their new-found celebrity differently. Much like a television show, their
cameo appearances help keep it real.
The Washington Post reviewer affirmed my view about the
terrorists. “Wolf’s terrorists are not monsters or madmen but real people whose
religious beliefs make them eager to die a martyr’s death.” Since I work with
so many Saudi Arabians, I was saddened to see that one of the terrorists was a
Saudi; I hated to have another Saudi demonized. However, I was particularly
interested in the American woman who became a Muslim and then a terrorist. I
have known a couple of American women who became Muslim and I thought Wolf’s
characterization was spot-on, especially because of the reasons in which the woman chose to
become Muslim.
Thankfully, there is meaning beyond the action. A lot of
questions emerge, particularly about the motivation of the terrorists. Wolf has
done his research and put in a lot of thought about a complicated situation
that we in the United States have been naive about. The Washington Post
reviewer sums it up thus: “In our fiction, of course, the terrorists tend to
lose, but Wolf raises disturbing questions about just how, in the real world,
you win wars, at home or abroad, against people who aren’t afraid to die.”
The review in the Washington Post with a very good plot
summary: http://articles.washingtonpost.com/2013-01-06/entertainment/36208409_1_flight-attendant-airliner-qaeda
The review on Slate.com speaks of a love affair with Law and
Order. (By the way, Law and Order is my preferred TV choice when I am quilting in my
sewing room.) http://www.slate.com/articles/arts/books/2013/01/the_intercept_by_law_order_creator_dick_wolf_reviewed.html
An interview of Dick Wolf on NPR: http://www.npr.org/2012/12/26/167539567/law-order-meets-tom-clancy-in-dick-wolfs-first-novel
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