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Monday, June 24, 2019

Rouge: A Novel of Beauty and Rivalry


By Richard Kirshenbaum

St. Martins     2019
320 pages    Historical Fiction


This is a fun romp through the early days of the cosmetics industry, loosely based on the rivalry of Helena Rubenstein and Elizabeth Arden. Kirkus calls it “a vivid portrait of glamorous, feisty women contending for the crown of cosmetics queen.” I had just seen the musical War Paint, about the lives of Rubenstein and Arden, when the advanced copy of Rouge came to me, so I had a great time comparing plot lines. Loved War Paint; loved Rouge.

Here is the description from the publisher.

“Rouge is a sexy, glamorous journey into the rivalry of the pioneers of powder, mascara and rouge. It gives readers a rare front row seat into the world of high society and business through the rivalry of two beauty industry icons (think Helena Rubenstein and Elizabeth Arden).

This fast-paced novel examines the lives, loves, and sacrifices of the visionaries who invented the modern cosmetics industry: Josiah Herzenstein, born in a Polish Jewish Shtlel, the entrepreneur who transforms herself into a global style icon and the richest woman in the world, Josephine Herz; Constance Gardiner, her rival, the ultimate society woman who invents the door-to-door business and its female workforce but whose deepest secret threatens everything; CeeCee Lopez, the bi-racial beauty and founder of the first African American woman’s hair relaxer business, who overcomes prejudice and heartbreak to become her community’s first female millionaire. 

The cast of characters is rounded out by Mickey Heron, a dashing, sexy ladies' man whose cosmetics business is founded in a Hollywood brothel. All are bound in a struggle to be number one, doing anything to get there…including murder.”

Rouge begins in the early part of the 20th century and closes near the end of the century. The characters are richly developed and the rivalry daunting. One interesting true fact about the cosmetics industry was that Victorian women did not wear makeup, and the inventors of the industry had to fight the stereotype that only hookers wore makeup. But under the guidance of these forthright (and also conniving) women, soon every woman in America was wearing makeup,and the novel’s two protagonists had become rich beyond measure.

Kirshenbaum is an advertising executive/author. His specialty is writing about the one percent that live in his neighborhood. Kirshenbaum must have had a great time recreating wealthy Manhattan through the eyes of Josephine, Constance, CeeCee and the others as they built their beauty empires. The reader finds herself thrust into the very heart of the city, its shops, and its nightlife. As one reviewer said, “it’s glitz, greed, and glamor.”  

Rouge is released tomorrow. Get a glass of wine, grab a lawn chair, settle down by the pool and enjoy.

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