By Laura van den Berg
Farrar, Straus & Giroux
2018
224 pages Fiction
I have spent 3 days reading The
Third Hotel, and I have no idea what I have just finished. One reviewer
called it “strange, unsettling, and profound from start to finish.” Ok. I believe
that.
Don’t quite know where to start. Here is the
summary:
“In Havana, Cuba, a widow tries to
come to terms with her husband’s death―and the truth about their marriage―in
Laura van den Berg’s surreal, mystifying story of psychological reflection and
metaphysical mystery.
Shortly after Clare arrives in Havana, Cuba, to attend the annual Festival of New Latin American Cinema, she finds her husband, Richard, standing outside a museum. He’s wearing a white linen suit she’s never seen before, and he’s supposed to be dead. Grief-stricken and baffled, Clare tails Richard, a horror film scholar, through the newly tourist-filled streets of Havana, clocking his every move. As the distinction between reality and fantasy blurs, Clare finds grounding in memories of her childhood in Florida and of her marriage to Richard, revealing her role in his death and reappearance along the way.”
Shortly after Clare arrives in Havana, Cuba, to attend the annual Festival of New Latin American Cinema, she finds her husband, Richard, standing outside a museum. He’s wearing a white linen suit she’s never seen before, and he’s supposed to be dead. Grief-stricken and baffled, Clare tails Richard, a horror film scholar, through the newly tourist-filled streets of Havana, clocking his every move. As the distinction between reality and fantasy blurs, Clare finds grounding in memories of her childhood in Florida and of her marriage to Richard, revealing her role in his death and reappearance along the way.”
Yeah! I told you. The Third Hotel is strange and
unsettling. I looked up the definition of magical
realism in my search to put a name on the genre in which the book might
fit. Wikipedia defines it this way: “a
genre of narrative fiction that, while encompassing a range of subtly different
concepts, expresses a primarily realistic view of the real world while also
adding or revealing magical elements.” I believe this fits the bill, although
in many ways, van den Berg’s writing defies categorization.
At its heart The Third Hotel is a meditation on grief
and loss. Clare has just lost her husband Richard. Her level of grief is
profound, and when she sees him from a distance in Havana, she follows him as
she seeks answers to all the unanswered questions of her life and marriage. When
she finally meets up with him and they take a journey into the mountains of
Cuba, the mystery that is her husband is amplified and her grief is compounded
rather than appeased. The reader never comes to a conclusion about who or what
Clare is seeing when she discovers Richard; is he a ghost, a doppelganger? “She
ordered herself to stop recognizing him, since what she was recognizing was
plainly impossible, but then she crept closer and saw just how possible it was.”
What is absolutely certain is that Laura van den Berg is an
incredible writer. The setting, the imagery, and the language is absolutely
breathtaking. I loved the descriptions of Cuba, and I felt like I was on the
scene every moment, even if I didn’t quite see Richard like Clare did (or did
she actually see Richard?). We are so very clearly exposed to the inner workings of
Clare’s mind; “the gap between her inner reality and the world around felt so
enormous she feared she was going to be swallowed up.” All the way through the
novel, we are privvy to Clare’s inner reality. We are never sure what to
believe—what she is seeing. One of my favorite lines relating to Clare is: “the ice cube she had pressed against her heart in
childhood was proving slow to thaw.”
The New
York Times reviewer cautions the reader looking for noir, a mystery, or a
thriller. He says, “Don’t take the bait
when “The Third Hotel” starts voguing like a thriller. Instead, read it as the
inscrutable future cult classic it probably is, and let yourself be carried
along by its twisting, unsettling currents.”
In his praise for the novel and its author, the Washington
Post reviewer says, “The most transforming kind
of fiction is capable of causing a dislocation of reality: a bit of the
bizarre, a lot kept beneath the surface and worlds opening within worlds.”
I recommend The Third Hotel with caution. Look
out so that you don’t become crazed trying to figure out the plot; rejoice in
the vivid descriptions of Cuba and the incredible writing; and breathe a sigh
of relief when it is finished—if indeed it is finished.
Additionally, I am done reading about grief-stricken
widows for a while. I feel like my summer has been filled with their stories.
On to other stuff.
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