By Zoje Stage
St. Martin’s Press
2018
320 pages
Thriller/Horror
Why, oh, why did I ever start Baby Teeth? That was the
question I asked myself over and over as I sat transfixed, suffering along with
Suzette, a mother living in fear of her young daughter, Hanna. The plot summary
of the book is almost beside the point, but here it is from the Amazon website.
The trials of parenthood are known to all: the sleepless
nights, the teething, and the tantrums. In Baby Teeth, mom Suzette faces
an additional trial: a young daughter, Hanna, who makes Wednesday Addams look
positively angelic. Hanna is besotted with her father and violently opposed to
sharing him with her mother. Withdrawn, refusing to speak, she’s waging a campaign
of terror with Suzette as the prime target. But, apart from issues at school
that Dad is able to excuse away, he sees no evidence of the terror his wife
reports and stands ready to defend his silent angel, even against her mom. It’s
the classic bad seed setup, but author Zoje Stage ups the ante, using
alternating chapters to devastating effect. The swings from Suzette's panicked
attempts to right the ship and fix her daughter to Hanna's chilling interior
monologues drive much of the suspense in this creepy thriller. And the
alternating chapter setup allows Hanna the last words, words which left me
open-mouthed. Ever wanted to shout, “He’s behind you!” at a horror movie in a
theater? Well, Baby Teeth may leave you wanting to howl something similar at the pages
of a book.
The Hanna chapters are the most devastating because the
reader is exposed to the machinations of a truly depraved mind—in a brilliant 7-year-old.
At one point Hanna muses: “she knew how adults thought. They liked what they
could see right in front of them, solid things. They encouraged imagination but
hated anything imaginary. Hanna knew they didn’t understand how reality was
malleable. It flowed on a wave in front of Hanna’s eyes, and she could choose
to be outside or within it.” This, of course, is not how an ordinary child would
think—but Hanna is not an ordinary child. For one thing, when she finally
speaks to her mother, it is with the French accent of a child burned at the
stake as a witch. No wonder Suzette is totally freaked out.
An excellent essay in the New
York Times by Ruth Franklin looks at books and movies about “bad seeds.”
Franklin references The Bad Seed and We Need To Talk About Kevin but
particularly discusses how the mothers are the ones who suffer the worst from
evil children, because the fairly absentee father can only see what is
presented to him when he returns from work in the evening. In the case of Baby
Teeth, he only sees his loving and adoring daughter, and all the evil
Suzette reports to him seem to have no reality.
Is Suzette to blame for this evil child? Franklin asks this
question as she explores how Hanna and the other psychopathic children of
literature got that way? “Are some children simply born evil?” This was the thought
that haunted me as I turned the last pages of the book. Recently, my daughter who teaches in a public
preschool had a 4-year-old boy in her afternoon class who was truly psychotic. By
the time he came to my daughter’s classroom in February, he had already been
kicked out of three other schools. He became her only charge when he was in
attendance, and she had to monitor all his craziness—from manipulating his
classmates, to horrendous fits, to the time he tried to strangle her. There
were many days when the principal had to be in the classroom with my daughter
because the boy was too manic to be contained. Eventually he was referred to
mental health professionals and sent home for the rest of the school year. Like
Suzette, this little boy’s mother was afraid of him and was helpless to know
what to do.
There are moments when every parent thinks that they are
going crazy; there are moments when children lose control. For some children,
fit throwing is a way of life, and this is the type of fear that Zoje Stage
exploits in Baby Teeth. Is my fit-throwing child OK, or is there something
wrong with him/her. Hopefully, none of them are like Hanna.
Here is Zoje Stage’s website. This is her first published
novel and has received tremendous reviews.
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